February 23–25, 2023 Le Locle & La Chaux-de-Fonds, Switzerland — 47.0999° N, 6.7928° E EDAR Course AR-669

Index / PhD Notes / PHD–09

Glòria Serra-Coch

Decentralized Production and Networked Knowledge in the Swiss Jura Arc

PHD–09 EPFL Field Notes — Feb 2023

The Swiss Jura Arc has been identified as an exemplary case of a technology innovation district based on decentralized production and networked knowledge transmission. The horizontal and vertical disintegration of this Swiss system has been presented as a model that offers variety while maintaining quality and delivery times (Glasmeier, 1991). Thus, La Chaux-de-Fonds and Le Locle are an interesting case study displaying circulation of production models and transmission of technical knowledge. This aspect of the site can also be understood as part of the unique intangible heritage of this watchmaking industrial region. Therefore, understanding the key elements of this decentralized network production system can contribute to the identification of spaces of value in its industrial heritage.

Technology innovation districts are based on “collective learning and organisation processes generated particularly by innovation networks and by high institutional thickness” (Amin and Thrift, 1993 in Maillat et al., 1995). Collective learning takes place not only through explicit, articulated knowledge but also tacit knowledge. This type of knowledge exchange needs personal face-to-face interactions (Asheim et al., 2007; Crevoisier & Jeannerat, 2009; Senker, 1995) and personal relationships based on trust and reciprocity (Glasmeier, 1991; Maillat et al., 1995). In the case of the Jura Arc, close personal contact has allowed the development of collaborative projects between institutions, both public and private, which contributed to the construction of an interwoven innovation network supporting the development of the watchmaking industrial district.

Field notes by Glòria Serra-Coch, plate 1
Plate 01 — field notebook, Glòria Serra-Coch
§ 02

My thesis focuses on proximity effects in the diffusion of innovations. In particular, I focus on energy technologies, photovoltaic panels (PV), electric vehicles (EV) and energy management systems (EMS). I study the role of information exchanges through actor networks and the generation of tacit knowledge that contributes to the diffusion of these technologies.

There are multiple factors that can affect the generation of this kind of innovation networks in specific territories. In the case of the Jura Arc and, more specifically, La-Chaux-de-Fonds and Le Locle, I conceptualize this balance as expressing itself at three levels that can be translated to three geographic scales. Linking Infrastructure

Political. a national border acting as a seam

The Franco-swiss border at the Jura Arc, acts as a catalyzer of dynamics, a source of tensions as well as solidarity and mixing of ideas and people (Moine, 2013). The border works like a seam, accelerating the proximity effects of cross-border workers, and the ideas and practices they carry. These territories, however, are characterized by a lack of governance adapted to their scale and specific needs (Moine, 2013). Thus, border territories emerge at the fringes of control, and naturally tend to develop counter-structures and organisations necessary for their survival. These emergent practices in the territory could, in fact, be the key for innovation.

Social. institutional networks of trust

The disintegrated system of production of the Jura Arc has been coordinated through different institutions. Some of them are directly related with the watchmaking productive system1 and, at later stages, with the electronics industry2. However, “the complicated web of watch manufacturing permeated the core of the region’s social, political and economic institutions” (Glasmeier, 1991, p. 478). Education and training on watchmaking, and later on microtechnology, was offered by regional institutions3, other industries provided equipment, banking institutions were deeply involved in financing, and the industry invested in R&D laboratories (Glasmeier, 1991; Maillat et al., 1995). This milieu-type of organisation allowed the spur of collaborative initiatives between the different industrial and societal players. This structure is currently translated in the existence of regional associations with diverse and actors involved.

Technical. Being on the way to

Le Locle and la Chaux-de-Fonds are not only located “close” to the border but are also connection points in a transportation network that links Besançon, in France, with Neuchatel, but also Yverdon-les-Bains, and after Lausanne, Geneva and Bern. This privileged position can be viewed as the geographical parallel of a weak-tie in social network analysis (Grannovetters in Hanneman & Riddle, 2014) the one that ensures that new information and ideas are introduced in a social system.

§ 03

Mix of actors & activities

Activities. land uses, typologies, institutions

When characterizing the “urbanisme horloger” for the proposition of inscription in the UNESCO (2009), the architectural and urban typologies are mentioned highlight a mix of uses, residential with production in the form of artisanal house, housing with atelier in ground-floor or attic...etc. Density and flexibility have been identified as traits of this “urbanisme horloger”, even before the development of the Plan Junod (Graezer Bideau & De Pieri, 2021 pg. 43). However, with the plan being the result of a negotiation of the local actors of the time, it is still important to acknowledge the important role of the grid as an urban form that allows flexibility on the functional typologies. Rather than a zoning approach, housing, production and commerce coexist and are interchangeable in the same urban space. “Il n’y a pas de zone industriell distincte mais une grande intrication entre liex de production horlogère et espaces de vie” (Kurth et al., 2009).

Actors. skills, perspectives, narratives

The mix of activities also brings by itself a range of actors involved in the process. From those directly related to the production of the different watch elements, public institutions or training to the rest of the civil society. When living and working coexist in the same space, the interactions between work, live and play strengthen, and the influence of ideas coming from the day-to-day life of individuals outside of the sector may permeate more easily to the production decisions that in isolated technological clusters.

Field notes by Glòria Serra-Coch, section 03, plate 1
§ 03 · Plate 01 — Glòria Serra-Coch
Field notes by Glòria Serra-Coch, section 03, plate 2
§ 03 · Plate 02 — Glòria Serra-Coch
§ 04

Spaces of Interface

At a smaller scale, these knowledge exchanges also happen at a specific time and space. Spaces of interface can be permanent locations that foster the interaction of different actors in the same geographic place, or can involve temporal organised events that bring people together (Torre, 2008). Several scholars, such as Gehl, Jacobs or White, outline certain serendipity conditions for these exchanges to happen, such as ground-floor permeability or active uses. Porosity (Benjamin, 1985) of urban life allows “a rich network of practices” to transform space into a “potential theatre of acts of encounter” (Stravrides, 2006). Porosity also implies a loosening of borders, which Walter Benjamin sees as “a way to reclaim the power that thresholds posses to mediate actions that open spatially (as well as socially) fixed identities and encourage chance encounters” (Stravrides, 2006, pg. 3).

At all these scales, or levels, we identify a counter-narrative emerging. There is a disorder that scapes from the control and generates spontaneous situations of exchange and connection between otherwise separated elements. We could speak of heterotopias “places where differences meet”, a concept that Foucault (1993) introduces as “counterrangements, those spaces that are absolutely other compared to the normal spaces they “reflect”, representing them, challenging them and overturning them (Stravrides, 2006 pg. 4). Heterotopias are counterspaces to the dominant ones, sites of resistance, but also the juxtaposition in a single place of several spaces (Cenzatti, 2008), places of interface that enable “productive and social actors to interact”.

Our FIELDWORK focused on trying to uncover, with limited time and knowledge, this specific sliver in the field. We aimed at discovering the (invisible) spaces of interface; looking for the fringes and revealing tensions between the visible and the invisible, the controlled vs. the spontaneous, curated vs. organic, or intended vs. unintended.

As a group, we started by heading to la Chaux-de-Fonds and walking the city following the official UNESCO itinerary in the opposite sense, starting from the centre and ending on the outskirts [Journal p. 23]. We collected our impressions in the notebooks while also exchanging between us. The group had diverse research interests that were challenging to reconcile, from structural joints in industry to biodiversity in urban spaces. Nevertheless, after discussion, the thread of counter-spaces and invisible vs. visible emerged as a common ground. The fieldwork allowed us to identify two types of spaces of interface.

Firstly, we identified a physical interface space that derived from the grid. The integration of diverse typologies and uses in the urban grid implied the emergence of a specific type of “interstitial spaces” [Journal p. 25-26]. While the streets reflected a regularity that expressed control, and a utilitarian view aiming at ensuring functionality, in terms of circulation or sunlight access; we discovered another type of spaces, not visible at first glance, that embodied the opposite characteristics. Within the blocks, in the left-over spaces between the different shaped buildings, there were irregular communal outdoor areas. The street grid displayed a top-down quality but we realized that the actual building footprints were scattered within the regulated space of the block, creating interstitial spaces behind and between the buildings. These include improvised playgrounds, gardens, parking spaces but also orchards. Like in the studies of heterotopias and porosity of Stravrides (2006), these spaces stand in direct contrast to the rational and function-oriented buildings and are not signalled by absolute boundaries. Some of them have fences or low walls but are all recognizably part of a communal outdoor space.

§ 05

Secondly, we identified a temporal interface space created, in this particular case, by our presence in the site. The seminar brought together a group of researchers from different places to reflect on a common site. The information exchanges generated already created new layers of knowledge and perspectives. At another level, the collaboration with local institutions, reflected most directly in the event of the “Porter le Temps” book presentation, brought together a set of actors interested in the region and its industrial heritage. The dialogue generated between the scholars that had been studying the site, the researchers coming with fresh eyes, the local public institutions and local actors created a perfect example of interface site. These two events are only an example of the strength that constructing a diversity of narratives can imply in the generation of spaces of interface for different actors and the potential creation of tacit knowledge. Both the process and result of the UNESCO World Heritage List recognition has brought a set of new actors in play that bring new ideas within the existing ecosystem and adhere to existing institutions and spaces of exchange with local organisations and stakeholders.

Field notes by Glòria Serra-Coch, section 05, plate 1
§ 05 · Plate 01 — Glòria Serra-Coch
Field notes by Glòria Serra-Coch, section 05, plate 2
§ 05 · Plate 02 — Glòria Serra-Coch